But his buffalo - bison to you - and horse are powerful and alive. There is foreground aplenty in this picture. But, like in the best art, by top artists, there is also middle ground interest - another brave chasing the rest of the herd - and background - the meandering Saskatchewan River. Now go look for middle ground or background interest, in a Riopelle, or Bush, or Poppycock - or come to think of it, foreground interest... since the best they can bring themselves to produce is peeling decaying garage wallpaper. Their art does not speak for anyone nor represents anything. I have never heard an intelligent discussion in front of a Riopelle. Which is perfectly proper, since there is nothing intelligent on the canvas... Even the artist on his treadmill, gave up long ago, and just numbers his creations... or leaves it untitled for you to figure out what the mess is all about... Their art has only one message, "I'm worth a lot, a lot more than you can afford. So there!" It's a taunt the idle rich find irresistable. |
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| Po nis cha pan ne ka pe Hunts Buffalo - 1906 | |
| Orig. chromolithograph - Image Size - 36 x 42 Found - Toronto, ON |






It was at this track, in front of the grand stand, that Great Britain's Duke of York, on his first visit to Canada, in 1901, handed out the Queen's South Africa Medals to hundreds of returned Canadian volunteers who lined up to receive the honour. William Knisley of Jarvis, ON (left) was one who stood here, before the future King George V, to receive his Distinguished Conduct Medal, the second highest medal for bravery in the Empire.
Orig. litho - Size - 21" x 32"















They're at the Post: Art's renown for painting horses landed him numerous contracts to paint the winners at the Old Woodbine Racetrack in Toronto, ON.
The highlight of the racing season there, in the 19th century - as it still is today - was the running of the Queen's (or King's) Plate. (It depends on who the reigning British monarch is at the time.) 

Among the finest lithos that remain from the heydey of Art Hider's output, a century ago, is this magnificent set of portraits of the winners of the King's Plate, during the reign of Edward VII, at Old Woodbine, in Toronto, Ontario.